Television Soaps: The Cultural Construction of Gender and Representation :: essays research papers

Television Soaps The Cultural locution of sexual activity and RepresentationSoaps but more importantly medicine television recordings quarter be said to broadcast thecultural construction of grammatical sex and archetypes of identity. The videosuggests a set of images to the stunner and usually these be a blurring of sexual activity and identity. euphony videos predicate on the representation of femalegender experience. The ii inter related to sign systems- accession signs anddiscovery signs- will be discussed. symphony clips that will be cerebrate on atomic number 18Madonnas Burning Up, articulate Yourself, and Justify My Love. The singer,who has been labelled Our peeress of MTV, has an amazing video appeal receivable to herplay with gender and identity. No other single artist has produced as meverymixed images as she has.Television soaps tend non to wonder the construction of gender and therepresentation of identity. They do not seem to address any boundari es. People view soaps to relax and somehow relate, so if they were to try out with thetheatre of gender, it may be seen as a brat to viewers. Soapies usually drive homethe males in typically male dominated occupations such as doctors, car salesmenand chefs. Women in soaps are usually secretaries or housewives. There doesnot seem to be any attempt for a switch of roles. Females are feminine, malesmasculine. There has been superstar exception, which was kiley Minogues character,Charlene, on Neighbours. She was a mechanic and tomboy. This is one of the fewoccasions where a soap has interrogated the cultural construction of gender andrepresentation of identity.A music video is footage that accompanies a song. They can have astoryline related to the song, displays of images or simply focusing on theartist/s performing. Music video is forever crossing the lines of gender andidentity. It is able to do this as it is seen as a form of art, wherefore thereis no threat to viewers. It is i ronic that Boy George has said that video wasthe worst thing to fall out to music, when he himself looked and acted like hewas crossing the lines of gender and boundaries adventure in the 1980s. Madonna ismost noted for creating videos with no boundaries for gender or identity. Mostof the time, she deliberately plays with surfaces and masks. Madonna ocularstyle engages and hyperbolises the discourse of femininity- she has biasedhair with dark roots, street dexterous image yet glamorous. Gender play is the mixand match of styles that play with the signifiers of sexual difference, andMadonna is ever so doing that. The three music videos of Madonna to be analysedTelevision Soaps The Cultural aspect of Gender and Representation essays research papers Television Soaps The Cultural Construction of Gender and RepresentationSoaps but more importantly music videos can be said to interrogate thecultural construction of gender and representations of identity. The videosuggests a se t of images to the viewer and usually these are a blurring ofgender and identity. Music videos predicate on the representation of femalegender experience. The two interrelated sign systems- access signs anddiscovery signs- will be discussed. Music clips that will be focused on areMadonnas Burning Up, Express Yourself, and Justify My Love. The singer,who has been labelled Our Lady of MTV, has an amazing video appeal due to herplay with gender and identity. No other single artist has produced as manymixed images as she has.Television soaps tend not to interrogate the construction of gender and therepresentation of identity. They do not seem to cross any boundaries. Peoplewatch soaps to relax and somehow relate, so if they were to experiment with thetheatre of gender, it may be seen as a threat to viewers. Soapies usually havethe males in typically male dominated occupations such as doctors, car salesmenand chefs. Women in soaps are usually secretaries or housewives. There doesnot seem to be any attempt for a switch of roles. Females are feminine, malesmasculine. There has been one exception, which was Kylie Minogues character,Charlene, on Neighbours. She was a mechanic and tomboy. This is one of the fewoccasions where a soap has interrogated the cultural construction of gender andrepresentation of identity.A music video is footage that accompanies a song. They can have astoryline related to the song, displays of images or simply focusing on theartist/s performing. Music video is forever crossing the lines of gender andidentity. It is able to do this as it is seen as a form of art, therefore thereis no threat to viewers. It is ironic that Boy George has said that video wasthe worst thing to happen to music, when he himself looked and acted like hewas crossing the lines of gender and boundaries back in the 1980s. Madonna ismost famous for creating videos with no boundaries for gender or identity. Mostof the time, she deliberately plays with surfaces and masks. Mad onna visualstyle engages and hyperbolises the discourse of femininity- she has bleachedhair with dark roots, street smart image yet glamorous. Gender play is the mixand match of styles that flirt with the signifiers of sexual difference, andMadonna is always doing that. The three music videos of Madonna to be analysed