photography after 1917 :: essays research papers

Analysis of a photography after 1917.AUBREY BODINE. BUILDERS IN LINE. (1961)Aubrey Bodines photographic career began in 1923 when as an office son with the Baltimore Sun he was a newspaperman covering any sorts of stories with his tv camera so this gave him opportunities to travel throughout the region and learn about it in forevery tide, wind, weather and season and out of this experience came amazing pictures of farming, oystering, hunting, slash boiling, blacksmithing, clock making, bricklaying and dozens of other occupations he a true American original, combined reportage with the creative eye of an artist. Bodine believed that photography could be a creative discipline, and he studied the principles of art, the camera and the dark room equipment were tools to him same the painters brush or the sculptors chisel. He was al instructions experimenting with his tools, but hardly ever made a mistake. Some of his best pictures were literally composed in the viewfinder of the camer a. In other cases he worked on the negative with dyes and intensifiers, draw marking, and even scraping to produce the effect he had in mind. He added clouds photographically, and made other even more elaborate manipulations. Bodines rationale for all these technical alterations of the natural scene was simply that, like the painter, he worked from the bewilder and selected those features which suited his sense of mood, proportion and design. The picture was the thing, not the manner of arriving at it. He did not take a picture, he made a picture.Bodines work includes pictorialist images as well as "straight" story-telling photojournalism and are similarly creative works of great originality. From his photographs I choose the image named Builders in Line, a a perfectly balanced image bathed in natural light. a captured moment of history that intrigue me, amaze me, and makes me require to discover the way he could get such a clean of art. It is a construction or a struct ure being make and he captured the moment in which two detergent builders are walking trough and even though the image of them is far I can roughly see their faces walking so tired like robots just doing their job. This high-gloss, high-contrast shanghai reminds me like a typical day in a builder life. He made an amazing use of light and darkness and that way he balanced the composition between the structure that we can