Looking Paper

In The Countess Von Schonfeld with Her Daughter, Elisabeth Louise Vigee- Lebrun used size and placement to emphasize the figures of the mother and the teenage daughter. Elisabeth set the pair in the foreground, and she posed them so that their visual weights feature to form a single mass, the largest form in the painting. Strongly contrasting values of light skin against a pale basis give further emphasis. Within this emphasis area, Elizabeth uses color of sight to create a focal point on the little girls black-and-blue dress and the mothers dress.Elisabeth has subordinated the background so that it does not interfere, blurring the detail and working in a define range of light values. The painting is oil on canvas prowess piece painted in 1973. It is a painting of a women retention her daughter on her lap, the women being The Grafin von Schonfeld. The woman is dressed in this splendid red dress from the upper class or a royal house stature in the late 1700s. The clothing l ooks rich green with red.She has a c everyplaceing on her head that looks like an extravagant scarf that drapes over her shoulder on one side, also made of the dame flowing material used for her dress. The woman has pale skin, reddish brown hair, dreary eyes, and blushing(a) cheeks. Her eyes look very significant and penetrating when you study the painting. The daughter is about the age of 5 or 6 long time old. Her arms are around her mothers neck and legs intent across her mothers lap.The daughter is wearing a white fluid dress that looks thin in material with red corset around her midsection. The daughter has the same reddish brown hair and rosy cheeks. The mothers and daughters eyes are equally as big n size, mend the childs eyes seem also very real and youthful. The women and daughter are sitting on a bench of more or less sort on a ledge of a window open. out of doors the window there is landscaping of mountains, trees and stormy sky. The sky is rich with risque valu e of grays including the whites of the clouds.